Asa is running from a troubled past, and when she goes to stay with the father she hasn’t seen in twelve years, she’s hoping that finally she has found a home.
But he’s more interested in spending time at the pub than with his daughter and when the notorious Dirt Circus League arrives in town they draw Asa into their web.
Apart her instant attraction to their charismatic leader, Quarter, Asa is drawn to the possibility of friendship and connection and the yearning to become part of this unruly group of under 20s, all except The Surgeon who’s an ‘outsider’ like Asa but attends to all the group’s medical needs.
In this page turner, we see Asa drawn deeper and deeper into the League’s mysterious web.
Up until now, Asa has tried to ignore the gift of second sight; the ability to see both the past and the future, but since she has joined the League, her visions have been getting stronger and she soon realises that there’s way more to the League than she thought, and there’s a dark reason why none of it’s members are over twenty.
Asa is also forced to face the darkness in herself and the reasons why she always resorts to fighting and violence to handle the deep anger in her that comes from a lifetime of betrayals.
Asa’s visions help her to discover the truth about the Dirt Circus League, but not everybody is going to be happy with her revelations, even if they save lives.
Asa is forced to choose between her feelings for Quarter and her need to find a space where she is loved unconditionally and personal happiness doesn’t come through violence and danger.
I found myself drawn into the deep and disturbed world that Maree Kimberley has created in Dirt Circus League . I loved its authenticity and the way the author uses the setting as a character in the story, creating menace and beauty at the same time.
The lure of constant danger and Asa’s disturbing visions made this book a real page turner.
I was also hooked in by Asa’s complex character and the way she battles the demons within herself. I loved her strength and her vulnerability, and how they lead her into danger, but also save her in the end.
It is written by Maree Kimberley and published by Text Publishing.
Maree Kimberley is a writer from Brisbane. Her work has been published in several anthologies, including The Year’s Best Australian Fantasy and Horror 2015 and Defying Doomsday. Dirt Circus League, her first novel for young adults, was inspired by the remote landscapes of Cape York and her fascination for neuroscience.
I spoke to Maree about how she wrote this extraordinary book and you can see our interview here.
My great nieces, Ella and Evie absolutely lovedHello, Baby written by Shelly Unwin and illustrated by Jedda Robaard.
And it’s hardly surprising! Hello, Baby is a perfect ‘Baby’s First Story’.
The emotive pastel illustrations beautifully complement the gentle lilting text. There’s so much love, warmth and joy in this delightful picture book as the family welcomes their new arrival and contemplates the wonderful years ahead with their new baby.
Today we’re lucky to have the author and the illustrator, Shelly and Jedda, here to talk about how they created this beautiful book.
Shelly is the SCBWI ACT Coordinator and author of the much loved ‘You’re Series’ also published by Allen & Unwin.
I had some questions for Shelly about the inspiration behind this book and how she created it.
My parents were foster parents, and I loved helping them care for the babies. So, when I became an author, I knew at some point I would write a book specifically for babies. But if you asked my husband, he would tell you he was my inspiration – he was the one to suggest that I put pen to serviette (we were in a restaurant at the time) and write it. And I’m so glad he did!
2. Why do you think books like this are important?
I think people often buy books to celebrate the arrival of baby, but they’re often hard-back collectables that sit beautifully on the shelf until the child is older. This book is about reading from the day baby is born, and this is so important. Reading to baby as soon as possible has so many wonderful benefits, assisting cognitive development and nurturing the bond between caregivers and babies. And, in our non-stop world, this book says, ‘Pause, pause and look at the beautiful baby you have created. Pause and relish the time you have with them and the future you will have together.’
3. Can you tell me about the writing process?
As I mentioned, my first draft of this book was written on a serviette. I then took it back to my office and reworked it. When I felt confident, I shared it with my critique group for their feedback, several times. This helped to make the manuscript as strong as it could be and ensure I’d nailed the rhyme and the rhythm regardless of who was reading it.
4. What is your top writing tip for picture book authors?
Find a critique group that works for you. It is so important to get feedback from writers who can look at a story critically and help you build it to its potential before sending it out to agents or publishers. Even if you know a lot about books and writing, you’re often too close to your own work to really see where it can be improved, and this is where a good critique group can be so beneficial.
5. In your mind, did you visualise your main character as a human baby? How did you feel when you saw the illustrations?
I always envisioned an animal as the main character, but I thought it would be one animal family the whole way through the story. I was delighted when Jedda illustrated a whole host of animals who gather together with human babies at the end of the book.
6. What have they added to your text?
I love that the family unit is different throughout the story – some families are single-parent families and many of the animals have no clear gender. It makes my heart sing that the book can support any family structure and is accessible to all. I also love Jedda’s beautiful illustration style – it complements the text and is perfectly suited to the age group. Allen & Unwin also added the dedication page at the front of the book and the space for baby’s first photo at the back, which makes it such a special keepsake.
Jedda has created over 40 books. Her books are sold internationally and have been published in many languages including English, French, Dutch, Greek, Italian, Korean and Chinese.
Although she enjoys writing her own stories, Jedda has also collaborated with a number of Australian Authors, including Katie Richie, Kerry Brown, Melissa Keil, Libby Gleeson, Kate Welshman, and Tania Cox.
Jedda is published in Australia by Hardie Grant Egmont, Penguin Random House, Hachette, Five Mile Press – Bonnier, Walker Books, Scholastic books, Little Hare Books, Allen & Unwin and HarperCollins.
And internationally by Little Bee, Langue Au Chat, Pearson & Planeta Junior.
I loved hearing Jedda’s insights into how she illustrated Hello Baby!
1. Did you connect with the text straight away? If so, why?
As soon as I read Shelly’s next, I loved it. I knew straight away how it could look. The images jumped into my mind immediately. Which isn’t always the case when someone else has written the story.
2. Was it your idea to use animal characters? If so, how did you choose which ones to use?
I believe it was always destined to be animals, but the idea of it being a different animal family for each page made it so much more fun.
I’m not completely sure on how I came to to pick each animal. But the text definitely helped set up characteristics for each family.
3. What medium/s have you used?
This book was done entirely on the iPad in Procreate (digital drawing program created specifically for illustrators). I’ve found it the only digital program that allows me to draw and paint and get as close as possible to the feeling of illustrating traditionally.
4. What is your top tip for new picture book illustrators?
Don’t spend so much time perfecting your folio that you never send it in. You will learn a lot ‘on the job’ and although you may worry your initial folio isn’t good enough. If you have what a publisher is looking for they will see it.
5. What was the most fun thing about illustrating this book?
Having so many different animals. As your probably aware I love illustrating animals and this was like Christmas for me.
6. What was the most challenging?
I think using digital media is always the most challenging for me. Not the actual drawing but making the images look as non digital as possible while not pretending it’s traditional watercolour. It’s a balancing act that I am still working on.
Thank you so much Shelly and Jedda for sharing your insights on how you created this beautiful picture book. I hope that Hello, Baby finds its way into many small hands.
If you have questions for Shelly or Jedda, please feel free to include them in the comments section of this post.
I inherited a love of reading from both my parents. They read widely and encouraged me to explore all kinds of books and to value the importance of words.
Today my father turns ninety-eight. He has seen many changes in his long life time – the advent of the motor car, WWII, the invention of computers and so much more.
He still reads the Age newspaper regularly and as his mobility has declined, words have become even more important to him.
My father became an avid reader as a small child. He was an only child, a lonely child. His mother had a hectic social life and his father was busy building his business. Books were my father’s solace and companions. They were his friends, they provided characters for him to spend time with, and allowed him to step into different worlds, to feel connected.
He also read non fiction voraciously – particularly newspapers. Europe was becoming increasingly unsettled in the early years of his childhood, and after Adolf Hitler became Germany’s Chancellor in 1933 and introduced policies to isolate and persecute Jews, my father suspected that his family’s comfortable life in Vienna wasn’t going to last.
Although he hadn’t been raised in the Jewish faith, his parents were married in a synagogue, and my father knew that was enough to put his family at risk.
His father was too busy working to keep up with everything that was going on around them, and his mother didn’t take an interest in world affairs. So as a boy, my father took it upon himself to keep across the news and report back to his family.
At first, his parents dismissed his concerns as paranoia. They believed that he spent too much time reading.
In 1935, the Nuremberg Laws were passed, decreeing that Jews could not be full German citizens. The more my father read, the more he realised how the rights of Jews were being eroded. He told his parents that they needed to start thinking about an exit plan, that they should leave Austria because it was becoming unsafe.
At first his parents were too busy to pay attention. But my father read more and more about Jewish arrests and persecution, and his parents were forced to acknowledge that what he was reading in the papers had a good deal of truth in it. They began to plan for a possible future away from their homeland.
In the Autumn of 1938, 17 year-old Herschel Grynzspan became outraged at the treatment of his Polish Jew parents who had been exiled from Poland. His anger built and on 7 November 1938, he was so incensed that he shot German Diplomat, Ernst Vom Rath in Paris. Vom Rath died two days later from his wounds and the Nazi Party used this incident to incite further hatred of Jews.
The Nazis retaliated quickly and between the 9 and 10 November they smashed synagogues and shops and arrested thousands of Jewish men and sent them to concentration camps. This event became known as Kristallnacht, (Night of Broken Glass).
It seemed that my father’s parents had left their run too late. My grandfather was one of those arrested and sent to Dachau concentration camp.
They called him a preventative prisoner because he hadn’t committed any crime, but because he was a Jew they believed that it was only a matter of time before he did.
My grandfather wrote to his wife and son from Dachau, heavily censored letters with hidden meaning where he urged them to hurry their plans to escape from Austria.
“Write to Huttert Limited London, Region Street, a MrsHolzer to remind her that she should not forget something which is particularly important right now.” “My friend has not let me down. I am happy no end that you are with Pauline. Hope to see you soon.”
My grandfather was one of the lucky ones, released from Dachau in early 1939 on the condition that he and his family would emigrate and leave behind EVERYTHING they owned. Plans to leave were accelerated.
With fake identities, they escaped by train, fleeing for their lives, nervous every time the train stopped, wondering if they would be searched, and their true identities discovered.
They arrived in Australia on 1 May 1939, a short time before WW11 began.
If they hadn’t had the help of generous Austrians who risked their own lives to help, my father and his parents would most likely have perished along with other family members who were murdered at Auschwitz.
My father’s reading and awareness of the true seriousness of the situation they faced, allowed his family to plan and leave Austria in the nick of time.
I grew up hearing accounts of my father’s escape and what his life was like before he left his homeland. His story led to me writing Beyond Belief, inspired by the true story of Muslims at a Paris Mosque who saved Jewish children in WW2.
It has also made me reflect on the importance of reading, and how it connects us, can alert us to danger, and keeps us informed of what’s happening in the world around us.
If my father hadn’t been such an avid reader, he might never have survived Hitler’s Nazis and made it to Australia where he has lived in peace for the last eighty-two years.
During the last few weeks we have been working with Australian author, Dee White, learning how authors create their stories.
The Yarrawonga College P-12 Editorial Committee interviewed students in the junior years and asked them about their experiences during the Your Story is Our Story Project.
We have gone around to a few classes interviewing year 3 students about their experience working with Dee.
The first question I asked was what have you learnt?
Ava said she learnt how to write a proper story, and Sam learnt how to put proper language into his writing piece. The others also said they have learnt how to use their punctuation in the right way.
All the students I spoke to would have liked it to have Dee come in a lot more. Some of the people I spoke to have said that Dee White has made a huge impact on them. They said that they have started to like writing more than they used to.
Dee really likes to come in and help us with our writing piece.
Personally, I think it was pretty fun to have a great author to help us with our own writing piece.
YEAR TWO PERSPECTIVE
By Grace Foran, Year 6
Last week I interviewed some year 2’s about working with author, Dee White.
Dee White has been working with students from Prep up to Year 8. While interviewing the year 2’s I learnt about how much they have been enjoying working with Dee!
A little bit about Dee: Dee White has written many books including, Letters to Leonardo, Beyond Belief and the year 2’s favourite Eddy Popcorn! Dee has been coming here for a few weeks and has been working with the students on story writing.
I interviewed six kids and found very positive feedback! Most of the kids said that they loved working with Dee and that their stories are coming along well.
The Year 2’s are writing a realistic fiction story based on an event they experienced themselves. The kids have been making their own puppets and using them as characters for their stories. A few lucky kids even got to hold the Eddy Popcorn puppet!
A lot of kids have been loving being creative and all the kids I interviewed only had positive things to say about Dee and her visits!
Stella and Hunter have both said that they have learnt more about creating their own characters. Taylah said that the sessions with Dee helped her get more ideas and Layken said Dee gave him lots of tips to write his story.
Overall the year 2’s found the experience enjoyable and are very proud of their stories.
YEAR THREE PERSPECTIVE
By Ava Cox, Year 6
During the last few weeks of term we have invited Dee White to help us improve our writing and write a realistic fiction piece with us.
While she has been at our school, students have had the opportunity to write, edit and illustrate with Dee.
On Tuesday, week 8 some of the students from the Editorial Committee went over and interviewed some of the junior grades. My friend and I went over to the year three’s to interview them, here are some responses.
All of the girls I spoke to are enjoying writing very much and love it when Dee comes. Right now the year threes are learning to plan and write a realistic fiction story based on the character they put on a milk carton they made. On their milk cartons they have put some pictures of missing people or animals.
Everyone I spoke to has started to enjoy writing more now that Dee has come to visit.
We are all very grateful that Dee has come to work with us, we can’t thank her enough. It will be great to have a book full of stories and a school full of authors!
YEAR ONE PERSPECTIVE
By Jackson White, Year 8
The year 1 students at Yarrawonga College were enthused about Dee White visiting them for the Your Story is Our Story project.
I got to interview of them last week and here are some of their responses.
All of the year 1s found it amazing having Dee White, an Australian author, here at Yarrawonga College. And they all thought that writing their own stories was the best.
Some students said that they love writing stories because they get to show their ideas. One said, ‘It’s fun to write about past experiences and what you did on the weekend.’
From stories based on a koala sleeping all day, to a magpie at the skatepark that crashes a lot, they all made funny fiction stories based on animals they can see or hear around them.
Some of the characters that came out of the students’ imaginations included Edie the Koala who loves to sleep, Kangy the kangaroo who loves to play in bushes, Ed the magpie who loves to skate, and Lizzy the koala who loves to play.
They all can’t wait till they get their creative stories put into a book for each other to read.
Thanks to all the students from the Editorial Committee for their great pieces. It was so much fun working with youall.
Thanks to Creative Victoria and Creative Learning Partnerships for making this program possible.
Yarrawonga College P-8 was privileged to experience four weeks with Dee White, an Australian author who has published more than 20 books.
Dee has spent four weeks sharing tips on how she writes her stories and encouraging us with our writing.
The Your Story is Our Story project that brought Dee to our school was a one-off event that was supposed to happen in 2020 but due to covid-19 it could not go ahead. Luckily this year it took place.
On 10 of June 2021, Hadia Mirza and Grace Thackray finally got the opportunity to interview some people about the Dee White project. We wanted to see what students thought of this new experience. Here are the responses of the year eight students.
Most students rated this project highly, scoring it between 6-10 stars. Some students, if they could, would want to change the amount of time put towards the project and would love to work with Dee longer. Some people said that this project really affected their opinion on writing. In the Year Eight grade, students are writing all kinds of stories from drama to action.
This project not only helped people develop their writing skills but also other talents they could put into creating a story. Students look forward to having better writing skills at the end of this project.
Dee said, “I have loved working on the project. It’s great to see how enthusiastic you all are.”
She also said how much she loved the students’ ideas.
We are all so lucky to have had this experience. Thanks to all the students who contributed to our research, and thanks to Dee for helping us.
As part of the Your Story is Our Story project, some students wrote about their experiences working with me in the classroom to help them create their stories. This piece is by Daniel in Year 6.
Writing is tough – even writing funny books, skinny books, picture books, thick books, serious books, kid’s books. Yet lots and lots of people say that when they have time they’ll write a book.
They usually aren’t so fortunate as to have author, Dee White to help them get their stories to publication.
Over the past 4 weeks, students including myself have been given the holy chance to not only work with an excellent author but actually get the opportunity to have our stories published in a full length book combining all of the year sixes and many other grade’s narratives into an illustrated book properly published and everything a kids dream right? I mean… it was always mine at least.
Writing a book usually means the agony of waiting, waiting, waiting for a publisher. Publishers take forever to look at the book. If you’re a new author waiting a year to get a response is nothing, that is if they even look at it. Then it’s often rejected. If you’re a published author it is quicker, easier, but it doesn’t mean guaranteed acceptance of publication.
When looking for a publisher, Dee suggests that you look at other books with the topic you’re writing about then see who published it or supported the idea, and try to get in contact with them. That is exactly what Dee White did with (for example) her best-selling novel: Beyond Belief which is honestly my favourite, closely followed by Eddy Popcorn (Guide to Parent Training & Guide to Teacher Taming.)
Dee is a very calm, relaxed, inspirational and supportive author, who has supported me through many narrative changes, edits etc and for once I’m not dried out of ideas after her lessons. Each lesson gets me more and more ideas.
I think my favourite part of her visit(s) is teaching me how to come up with my own ideas. For a realistic example, when I was formerly asked to write, I usually would write a story word for word based on a movie or with slight adjustments, but with Dee I feel more confident and self love for my own ideas and much more. Even after her visits are finally up I still have 2 slim books to teach me a lot about original content, narratives and how to make ideas. I always used to struggle to add more to my brainstorm sheet which I keep in my writing folder but ever since Dee’s 1ST VISIT I have added more than 10!
On the behalf of year 6 and all the other grades we would like to thank you Dee White for all you have done for us and how inspiring and supportive you are to our ideas I think more than the whole year 6 can say: We want you as a permanent writing teacher for real. Thank you again Dee you have no idea what you have really done for us.
Today I used books by Australian authors, Nova Weetman, Penny Tangey and Felice Arena (as well as some of my own works) to demonstrate to Year 5 and 6 students that there are many different ways to end stories.
We talked about what story endings need to include in order to satisfy the reader.
We also discussed things to look for when revising your work, and the anthology that student’s stories will be going in.
It was great chatting about words and language and one of a writer’s most important tools, a thesaurus.
Students enjoyed using the thesaurus’ that I donated to the Year 4, 5 and 6 classrooms.
Sadly, these were my final classroom sessions for the project.
In the afternoon, I worked with the Editorial and Marketing committee, finalising the pieces they had written. These pieces will be published in the newsletter and on this blog.
The last part of the day was bittersweet, saying farewell to the beautiful Preps, Year 1 and Year 2 students at Yarrawonga College P-12 and getting photos to be used in their anthologies.
I’ve had such an amazing time working with the respectful and enthusiastic students in Years P-8 and I’ll miss them and the incredibly supportive, friendly and dedicated teachers and other staff who have all been part of the Your Story is Our Story project.
I’ve learnt some great tips from the teaching staff and have been so inspired by the students.
I can’t wait to read all their amazing stories in the Year Level anthologies.
Thanks to Creative Victoria and Creative Learning Partnerships for making this program possible.
Day 16 started with the Year 3 students, and Eddy and I were feeling a bit sad to be spending our second last day at the P-4 campus.
Students had some fabulous story beginnings, and we talked about the essential elements of a great story.
I can’t wait to read their stories.
I had three sessions with students in Years 7 and 8 and we talked about how difficult endings are to write and shared some tips on how to think of a great finish to a story.
We also talked about the revision process and how long it can take a book to get published from the original idea to see the book on shelves.
Students worked enthusiastically on their stories and we also discussed how it’s okay to write new story beginning if you’re not happy with the one you have, and how the beginning of a story can change depending on what happens in the middle and end.
Years 3-8 Writer’s Club met at lunchtime. Students shared some great stories with the group and we talked about the Write Around the Murray writing competition open to students in Years 3-12. More details can be found here.
An inspiring and productive start to my final week working with students at Yarrawonga College P-12.
Thanks to Creative Victoria and Creative Learning Partnerships for making this program possible.