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Now that the PIR issue has finally been resolved, my mind has turned to other book related issues. As Mike Shuttleworth, Program Manager at the Centre for Youth Literature (State Library of Victoria) mentioned the other day; perhaps we should be focussing our energies on generating more readers.

To me, as a parent, and a children’s and young adult writer, I think this is a fabulous idea.

Young readers are the ones who have embraced computer technology – and are choosing it as an alternative form of entertainment to books – or so I thought.

That was until I spoke to my teenager on the weekend. He is a serious gamer – has reached an advanced combat level in Runescape  (I think that means he’s pretty good – he should be, the number of hours he ‘practices’).

He started high school this year and on the weekend we were having a discussion about how things were going.  I asked him, “If there was one thing you could change about your school, what would it be?” His answer was spontaneous and surprising. “Less computers in the library and more books.”

Admittedly, he has always been an avid reader, but it seems that so are lots of kids at his school – but they are being turned off the library; particularly by the lack of non-fiction books. I think sometimes that we assume that if we give kids access to the computer and the internet, they can find out whatever they want.

My son still loves to curl up with a real book and is still keen to learn about anything and everything. But he doesn’t want the superficial facts like the speed of the fastest car in the world, he wants to know how that car is built and what makes it run.

It makes me wonder if our school libraries are selling our kid’s short – particularly at the high school level.

Are we just assuming our kids prefer computers to books? Perhaps they want both?

The same son went to a birthday party on the weekend – his carefully chosen present for the guest of honour – a book. (Received with rapt appreciation).

I know that both my boys went through danger periods where they ‘almost stopped’ reading because of the lack of books that interested them in their school libraries.

We live in a fairly remote location, but the idea of them ‘giving up’ on reading was so frightening that I joined three libraries – the furthest of which is a 45 minute drive to get to.

It makes me wonder; before we replace bookshelves in our school libraries with computer desks, perhaps we should think carefully. Maybe the answer to encouraging more readers is to offer them more books.

Dee

I have always stumbled around in the dark when it came to completing grant applications. I thought it was just about answering the questions and sticking to the rules.

But as I discovered at today’s ASA funding seminar in Melbourne, applying for funding is so much more than that.

And if you do it right, your wish may be granted.

Here’s what I found out:

  • It’s okay…in fact, probably essential to ring the funding body and ask the co-ordinator if you are on the right track.
  • Think about what gives your project its urgency and appeal – this is what will make it stand out from other applications.
  • Read the instructions carefully – and ask the funding co-ordinator if there is something you’re unsure of.
  • Double check the criteria to make sure you are eligible.
  • Make sure you have included details of what stage of development you are seeking funding for – where are you at with this project at the moment? Where to from here?
  • Relate your ‘Aims’ to the selection criteria.
  • If there’s an interesting story behind why you have undertaken this project, include this on your application.
  • Discuss how you intend to go about your project. Will it require research? Are you going to seek feedback eg a manuscript assessment? Are you intending to submit to a publisher?
  • It’s good to have a recurring statement or goal throughout your application – eg This project will compare behavioural differences between termites and cockroaches and how they co-exist.
  • Play your natural game and be sincere – avoid jargon and allow your enthusiasm for your project to shine through.

Finally, ask yourself these questions:

  1. Why should you be given funding for this project?
  2. Why you?
  3. Why now?

Yes, there are lots of people applying for funding – but someone has to get the grant – why not you?

If you’re not successful the first time, ring the funding body and ask for feedback about your application. Revise it and try again next year.

Good luck with your applications. I’ll keep you posted on how I go with mine.

Dee

DEE POSTING FIRST BUNDLE OF PETITIONS TO SAB REPRESENTATIVE IN CANBERRA

Me posting the first bundle of petitions to our Saving Aussie Books representative in Canberra. Later, all petitions were collated and handed directly to the politicians by Sheryl Gwyther from Saving Aussie Books

Yesterday, it was announced that Federal Cabinet had rejected the Productivity Commission’s recommendations to remove Parallel Import Restrictions on books.

As an author with many author friends, I celebrated this decision. These days, it’s hard enough for an Australian author with few or no ‘published credits’ to have their work picked up. If Parallel Import Restrictions had been removed; allowing the importation of cheap overseas versions of our work, this would have reduced opportunities even further.

Retaining Parallel Imports on books also means that thousands of people in the printing and publishing industries will keep their jobs and that the Victorian town of Maryborough will be saved from complete decimation.

But as a mother and a children’s writer, the most important outcome for me is that our culture and history as expressed through our literature will be protected. My books that are sold in Australia will have mums and taps not ‘moms’ and ‘faucets’.

As a parent of creative children, it is also important to me that there will still be opportunities available for them in this industry if that’s the career path they choose.

Having been deeply involved in the ‘battle’ from start to finish, I feel a sense of relief that this matter has now been resolved and I can continue to go on with my own writing. (Perhaps even start to blog regularly again.)

But I know that none of us can be complacent. We live in a world of changing views and technologies and all of us in the publishing industry will need to work with these new developments, keep fighting the battles that need to be fought, and protect not only our own interests but those of our readers.

One of the most inspiring things about this whole process has been how authors, publishers, agents, printers, booksellers and politicians have worked side by side.

Having been involved in the establishment and running of the Saving Aussie Books blog http://savingaussiebooks.wordpress.com, it has also been my pleasure to come into contact with wonderful kids, parents, grandparents – readers of all generations; from all walks of life who have been united by their love for Australian books.

Who knows what really went on – or what motivated the final decision? What I do know is that so many ‘ordinary’ Australians fought hard for what they believed in. People wrote letters, emailed, phoned and faxed their local politicians – people who admitted that this was something that would not ordinarily be bothered doing.

Supporters from all over Australia got petitions signed and mailed them to Saving Aussie Books and one of our members (Sheryl Gwyther) flew to Canberra at her own expense to present them to the politicians.

Whether all this made a difference, who knows? But I know that it made a difference to me. It made me realise that people in Australia aren’t apathetic – that they will fight for what they believe in – they just have to know how to go about it.

Thanks to each and every person who signed a petition, collected signatures, made a phone call, sent a letter, did whatever they could – cared enough about Australian books to put up a fight.

Dee

Some of the contributors to "Moving On"
Some of the contributors to “Moving On”

In June 2005, I began teaching writing classes at the Romsey Neighbourhood House, and a few months later, started the Romsey Writer’s Group with a small but enthusiastic band of members.

We met on a regular basis to learn about writing, share our writing adventures and critic each other’s work. Over the years we talked about what fun it would be to produce an anthology of our own.

About 18 months ago we applied for a Community Arts Grant through the Macedon Ranges Shire to try and get our project off the ground. By then we had decided to expand the works beyond our own writing and invite other members of the local community to share their stories.

We had chosen the theme, Moving On for our project – feeling that it would be universal – knowing that there are so many people who have moved on from adversity in their lives. Our purpose for the anthology became not just about writing, but about the therapeutic benefits of self-expression and also we hoped that others would find our stories and poems uplifting, and perhaps their lives would be changed for the better.

Once our grant application had been accepted, the next step was to seek submissions. We promoted what we were doing through libraries, neighbourhood houses and our local media – and were overwhelmed with the response. It wasn’t long before we had a massive pile of submissions from writers aged 15 to 90 on a range of themes including loss of a loved one, aging, marriage breakdown, serious illness, relocation and displacement, accident recovery, bushfire survival and physically moving on.

Most of the stories and poems required little editing and we were able to include a great majority of them in our publication, Moving On. Once we had the basic content worked out, we then had to decide what we wanted our book to look like. Being a community project, we wanted to involve as many local people as possible.

Front coverWe held an art competition in Secondary Colleges within the Macedon Ranges and once again, were overwhelmed with the volume and quality of the submissions. Aside from those on the front and back cover, we used as many illustrations as we could throughout the book.

Moving On has ended up being a truly inspiring collection of stories and poems written by remarkable people and supported with wonderful illustrations by talented young artists. This project took over 12 months and many, many hours of editing and formatting, but it has been an astounding success not just in terms of the end result (over 330 pages of great reading).

One of the most rewarding things has been the enjoyment and pleasure it has brought all contributors; many of who had never before seen their works in print.

When Moving On was launched last Saturday 24th October by State Labour MP and former librarian Joanne Duncan, it was truly a moving occasion. People came on walking frames, by car, on scooters, with dogs, with children, grandchildren, parents and siblings to celebrate seeing their works in print and meeting their co-contributors.

The back cover

The back cover

Personally, it was a wonderful and rewarding day. As a writer, it was an inspiration to see the excitement and joy on the faces of others; many of whom had never realised until now that they are writers, or had waited decades to see their first piece of work published.

The editorial commitee

The editorial commitee

Constable Wombat - a wonderful illustration by David Murphy
Constable Wombat – a wonderful illustration by David Murphy
Snowy's Christmas cover
Snowy’s Christmas cover

Today is a very special day for me. I have NEVER had an illustrator visit my blog…until NOW!

Talented and modest Dave Murphy is here to talk about being an illustrator, working on “Snowy’s Christmas” with author, Sally Murphy, and some of the personal stuff that’s always interesting to know.

David, seeing as “Snowy’s Christmas” is such a beautiful and unique story, I thought I’d start with some Christmasy questions.

What is your favourite part of Christmas?

Sharing it with my family.

What was your favourite Christmas story when you were a child?

As a child, and even now, my favourite Christmas story is The Night Before Christmas. I read it to my boys every Christmas Eve.

What is your favourite Christmas memory?

Lying awake on hot summer evenings the night before Christmas; listening for the bells of Santa’s sleigh through the noise of the cidadas and crickets.

Dave at work
Dave at work

What was the best present you ever got for Christmas?

Books. My favourite presents were always books. My father once gave me a collection of Henry Lawson stories, which is still pretty special.

I just happen to be a fan of Henry Lawson too (even wrote a book about him), so I can understand exactly how you feel. I have to confess at this point that I’m totally in awe of illustrators, so I’d really like to know how you do it

David, can you tell me what your favourite part about being an illustrator is?

(Aside from being a dad) my favourite thing in the world is when my pencil moves across the page bringing a story to life.

What was your favourite part about illustrating “Snowy’s Christmas”?

Watching the characters spring to life and interact with each other – then watching others interpret my illustrations.

What is the thing you like most about Snowy, the character?

Snowy popped out of my brain and onto the page almost fully formed. Even so, he grew and developed as I led him around Sally’s story. As his character emerged, I saw the sense of joy he had discovered in his own uniqueness and strength.

What is your favourite part about turning a writer’s words into pictures?

Everyone imagines stories differently, no matter how descriptive the text. It is a privilege to be asked for your own particular vision. It is even more gratifying to be able to add to the world created by a brilliant writer like Sally.

Do you have a special tip for aspiring illustrators?

Another great Dave Murphy illustration - Kids from school
Another great Dave Murphy illustration – Kids from school

Bruce Whatley once challenged me to try using my left hand. The results were so amazing it completely changed the way I illustrate. I now do all my sketching exclusively with my left hand, and all my technical work with my right.

Thanks for some wonderful insights David into you and your work.

To find out more about David, visit www.davidmurphy.id..au

You can also catch David, and author of Snowy’s Christmas, Sally Murphy at these other great locations on their blog tour.

Week One – October 4 – http://deescribewriting.wordpress.com

(That’s here!)

Week Two – October 11 – http://livejournal.com/users/orangedale

Week Three – October 18 – www.soupblog.wordpress.com

Week Four – October 25 – www.letshavewords.blogspot.com

Week Five – November 1 – http://sallymurphy.blogspot.com

Week Six – November 8 – http://aussiereviews.blogspot.com

Week Seven – November 15 – http://samantha-hughes.blogspot.com

Week Eight – http://www.robynopie.blogspot.com

Week Nine – http://sandyfussell.blogspot.com

Week Ten – http://aussiechristmas.wordpress.com

Week Eleven – http://belka37.blogspot.com

Sally MurphyTalented and prolific author, Sally Murphy is here today to talk about her ‘just released’ picture book, “Snowy’s Christmas”.

I am so pleased to welcome Sally back to my blog, and hear all about her wonderful new creation. Just for fun, I thought we’d focus today’s interview on “Favourite things”

Sally, what is your favourite part about Christmas?

Everything! I LOVE Christmas. I love seeing my kids emptying their sacks on Christmas morning, and spending quality time together. And singing Christmas carols, and reading Christmas books, and eating yummy Christmas food and the lights and the tree and….

What was your favourite Christmas story when you were a child?

Funnily, I don’t remember any specific Christmas stories, apart from versions of the biblical story – which I’m glad I was taught. I do remember receiving a Little Golden Book which was a Christmas story – I think a version of the Little Drummer boy. What I remember most significantly is that there were TWO copies of the same book in my stocking – one was apparently meant for my big sister. But I think perhaps there weren’t many picture book type offerings just about Christmas, certainly not on the scale they are now. And I have dozens of them now – a great collection which is packed away each year until December.

What is your favourite Christmas memory?

As a child we had a lounge room door which closed and locked. The key was always in the door – except on Christmas morning. We all gathered at the door until Mum and Dad were up and everyone was there. Then the door would be unlocked and we would rush in and see what Father Christmas had left. It always seemed so magical!

What was your favourite Christmas present?

Ooh – not a physical present, but the joy of seeing my kids on Christmas morning.

What was your favourite part about writing this book?

Creating a very Australian offering. At the time I wrote the first draft (five or six years ago)  all the Christmas  books available featured snow and ice and were imported. I wanted to do something Australian. Of course, in the meantime, there have been several other Australian Christmas books published, which I think is wonderful.

What is your favourite part about working with an illustrator?

The surprise of seeing what they make of my words. I am not a visual person, so I don’t have preconceived ideas about how the tsory will appear. It is always fun to see the story brought to life.

What is  your favourite character trait in Snowy?

Snowy's Christmas cover

Snowy's Christmas cover

His vulnerability. He is different from the other roos, and feels this strongly He discovers that difference is good, with the help of his understanding mother and the wonderful Ash.

What is your favourite writing tip?

Read what you want to write. It’s amazing how many people want to write children’s books, for example, but don’t read children’s books. You need to love the genre you want to write in, and  read read read.

What is your favourite part about being a writer?

Acceptances – and, of course, eventually seeing my name on the cover. There’s nothing like it.

Thank you so much for visiting us, Sally. It has been wonderful talking with you about Snowy – and I’m sure he will become a Christmas favourite with lots of Aussie and overseas kids.

Later on today, (in about an hour’s time), Snowy’s Illustrator, David Murphy is visiting this blog and he’s going to talk about his favourite Christmassy things, and illustrating Sally’s picture book.

It’s a particularly exciting event for me because I have never had a real, live illustrator come to visit.

Hope you’ll drop back later to meet David.

Snowy's Christmas cover

Snowy's Christmas cover

Reading Snowy’s Christmas made me realise that Christmas is not all that far away. And how refreshing it was to be welcomed into the world of an Australian Christmas….where there is no snow, only snowy white kangaroos.

In Snowy’s Christmas; Snowy, a white kangaroo struggles to fit in with the rugged red members of his species. Then on Christmas day, a visit from a mysterious stranger turns his world around.

Snowy’s Christmas is not just about Christmas, but about finding your place in the world.

It’s a truly Australian Christmas story with Aussie animals and landscapes. The tale is beautifully told by Sally Murphy, and David Murphy’s bright, funny illustrations give the book extra bounce.

Snowy’s Christmas is definitely one for the Christmas stocking.

Snowy’s Christmas

Written by Sally Murphy

Illustrated by David Murphy

Published by Random House Australia

ISBN: 9781741664409

RRP:  $19.95

SALLY MURPHY AND DAVID MURPHY WILL BE DROPPING IN TO THIS BLOG  “ON SUNDAY”  FOR A CHAT, SO DON’T FORGET TO COME BACK AND SAY, “Hi”

Just had to post this lovely review by Maree Kimberley,  fellow YA writer http://girlintheshadows.blogspot.com/

letterstoleonardolrgLetters to Leonardo is a heartfelt and real portrait of a young adult trying to come to grips with his mother’s serious mental illness by first-time Australian author Dee White.

On his 15th birthday, Matt receives a birthday card from his mother – the mother he has always been told was dead.

After dealing with the shock, and his anger with his father who told him the lie, Matt looks for and finds his mother. But it’s not the happy-ever-after family reunion he hoped for.

This is a deeply layered book that explores a range of themes with subtlety and empathy. The story moves along at a good pace, the characters are thorougly believable and deftly drawn and the situations are dealt with sympathetically and realistically. It made me cry.

Highly recommended.

Source: facebook.weread.com

Kim, Kat and I launched our books at CYA. Sheryl expertly introduced our session.

Kim, Kat and I launched our books at CYA. Sheryl expertly introduced our session.

Last Saturday, Letters to Leonardo had its Brisbane launch at the CYA conference. What a fantastic day it was.

I was fortunate enough to have the opportunity to launch my book along with two other very talented writers, Kathryn Apel (This is the Mud) and Kim Miller (They told me I had to write this).

We had forty-five minutes to share the stories of our road to publication with the enthusiastic and supportive bunch of authors and illustrators at the conference.

"Letters to Leonardo" flew at the Brisbane launch

"Letters to Leonardo" flew at the Brisbane launch

Our session was expertly introduced by Sheryl Gwyther, and although there was a minor technical hitch (due to my ineptitude with large screens and lots of buttons), it was a fabulous experience.

All of us had an anecdote about how entering previous CYA writing competitions had assisted us on our journey.

For me, placing third at the inaugural CYA conference in 2006 in the YA section couldn’t have come at a better time. I was down on confidence as a writer, and the judges were so encouraging about my manuscript that it gave me the impetus to rework it and get it ‘out there’.

It was subsequently published by Walker Books who have been amazingly supportive all along the way.

We were on after Jackie French - a hard act to follow:-)

We were on after Jackie French - a hard act to follow:-)

Full credit to Tina, Ally and all the volunteers for another fabulous CYA conference. Jackie French was inspiring, Brian Falkner was motivating…and there were so many other inspiring speakers.

The food was great…and the enthusiasm and talent at the conference was palpable.

Can’t wait for next year.

Dee:-)

Regardless of the fact that the entire Productivity Commission’s assertions are based on out-of-date and somewhat dubious data, you don’t have to be a math’s whizz to work out that removing Parallel Import Restrictions on books is a very bad idea.

The equation is simple

            8 negative impacts

         1 ‘possible’ positive impact

=          more numbers in the negative impacts column.

Here’s how the figures are put together.

NEGATIVE IMPACTS OF REMOVING PIRS ON BOOKS

1.         Cultural effects: – loss of representation of Australian Culture in books, and less exposure to other cultures because reduced earnings will prevent publishers from bringing in some overseas books.

2.         Industry job losses: – an estimated 1400 to 1600 jobs will be lost in the printing and publishing industries. And this doesn’t include independent booksellers, who will also suffer if PIRs are removed.

3.         Less opportunity for emerging writers to be published: – Since PIRs were removed in New Zealand, new authors are finding it increasingly difficult to get published over there.

4.         Less income for Australian authors: – Many Australian authors will have fewer books published (or none at all), and any discounts off the recommended retail price will mean less income per book.

5.         Fewer career opportunities for future generations of authors and publishers.

6.         Less choice for consumers

7.         Fewer exports

8.         A massive carbon footprint caused by books being flown in from overseas rather than produced locally.

POSITIVE IMPACTS OF REMOVING PIRs

1.         There is ‘potential’ benefit for consumers with the ‘possibility’ of cheaper books, but evidence shows that most book choices are not made on price, and there is NO guarantee that the Coalition for Cheaper Books (AKA Coles, Woolworths etc) will pass on any price drops. Ask yourself, since the dairy industry was deregulated, has the price of milk got cheaper? Do petrol prices drop when the cost of oil goes down?

Clearly the ‘benefit’ of removing Parallel Import Restrictions on books DOES NOT stack up against the harm it will do.

Tell our politicians that removing Parallel Imports on books is not good for our industry or our country!

Sign the online petition at http://savingaussiebooks.wordpress.com TODAY!

Dee White

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